Singer, songwriter, and musician Chris Daughtry will perform with his band at The Hanover Theatre for the Performing Arts on Saturday, March 31.
In the course of only five years, Chris Daughtry has had more than his share of career highlights. He has released back-to-back No. 1 albums, the 4x-platinum DAUGHTRY (which became the fastest-selling rock debut in Soundscan history) and 2009’s platinum Leave This Town. DAUGHTRY has scored four No. 1 Top 40 hits (“It’s Not Over, “Home,” “Feels Like Tonight,” and “No Surprise”), earned four Grammy Award nominations (including “Best Rock Album” for DAUGHTRY), won four American Music Awards, and brought its electrifying live show to all corners of the world, including sold-out arenas in South Africa, Singapore, and The Philippines.
Daughtry’s self-titled debut was the best-selling album of 2007, which contained four Top Twenty hit singles including the Grammy-nominated smash “It’s Not Over.” Leave This Town also reached Number One in 2009, while 2011’s Break the Spell was certified gold. His group’s most recent record, 2013’s Baptized, featured the platinum-selling “Waiting for Superman,” which the singer points to as a turning point in his songwriting.
Daughtry and his band have been performing together for over a decade. “Like anything with a ten year relationship, you know more about each other than you do most of your family,” says Chris Daughtry. “It’s a love-hate thing—you get sick of being around them, but after two weeks at home you’re ready to get back out on the road and do it again. The fan base really keeps us alive. That’s the key ingredient to keeping a band together—that’s the gasoline, and without it you can’t run.”
As the band continues work on its fifth album (which Daughtry describes in its early stages as having a “bluesy, almost rootsy undertone to it”), they look to contemporaries like Maroon 5 and Train as examples of acts able to maintain their relevance while rock & roll faces an uphill struggle in the mass media. “Those guys are inspirational, showing that you can come back and have a strong presence, even if what you’re known for doing is having a hard time,” he says.
Ten years after launching with a massive splash, Chris Daughtry claims that he and the band have grown the most on stage, and that it’s altered his whole sense of his work. “When we first came out, I’d only known what I’d seen,” he says. “I didn’t know how to be vulnerable, with no pretense. Now it’s walk onstage and, especially in our acoustic shows, just be flat-out honest and open. It’s really helped me realize that’s actually what fans want—they want 100 percent honesty and feeling like they got to know you better.”